A Name & A Cave

by Brittney Stoneburg, Marketing & Events Associate

First things first, we finally have an official name for our upcoming exhibit: Stepping Out of the Past.

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The exhibit will open to the public on December 3rd, with a special reception for museum members on December 2nd. If you’re in Southern California, we hope you’ll stop by.

So now that it has a name, how is Stepping Out of the Past coming along?

In the back of the museum we have a large receiving bay which we use for storage, exhibit intake, and general back of house duties.

We also use it for building massive caves.

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Our Collections Manager Darla Radford with said massive cave.

Based on La Grotte Chauvet in France, Western Science Center staff and Mt. San Jacinto College students have been hard at work for several weeks to bring this exhibit component to life. It’s the culmination of a lot of blood, sweat, tears, and an uncountable number of trips to the local hardware store.

The cave will ultimately aim to be an immersive experience for visitors as we seek to educate them about hominins and humanity’s prehistory. Visitors will even be able to leave their own cave drawings behind on a chalkboard.

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MSJC students and faculty are hard at work helping us build the cave.

Of course, at the moment, the cave is mostly wood and foam, but the process is part of the fun. Soon enough it will be painted and moved into the exhibit hall, and our visitors will get a chance to walk through a slice of prehistory. As a museum, we are uniquely able to bring this kind of experience to the public – there aren’t many other places where you can say you walked through a prehistoric cave! It’s just one way we are able to bring science to our community – and you have to admit, it’s a pretty cool way to do it.

A Study in Case Studies

by Erik Ozolins, Professor of Anthropology at Mt. San Jacinto College

Since the semester ended last month, I thought I should provide an update on the internship class in which the students participated. Of the 7 students who registered for the class, 6 completed the semester, all earning passing grades. The 6 students wrote numerous pages on the various fossil hominin species, as well as a number of other more specific pieces of information. We are currently calling these special interest components “case studies” and as of now they include interesting aspects of paleoanthropology such as Acheulean Tools or Shanidar I.

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Shanidar I. Image Source.

I believe the identification of these “case studies” was one of the most valuable aspects of the student internship class. At this point we are not sure how much of what the students wrote about each of the fossil species will ultimately get into the exhibit. The student interns and a few others (who have now started working with us but were unable to take the class) are currently working to try to turn their pages of research into panel size pieces of information for museum guests.

During our regular meetings with the Museum staff, however, we would have the students share their favorite parts of their research and as we discussed their ideas and discoveries we realized that we wanted to spotlight many of these specific stories. These are the case studies. They are the surprising, engrossing, humorous or disturbing stories that are associated with paleoanthropology, but they are also the interesting stories that will connect with the museum guests.  These are often the stories that I like to highlight in my college classes, that I think make the information accessible to my students.

As summer is moving along we are still meeting. As I mentioned, the students are working on putting their information into panel form. Over the course of the semester, I had the class and the grade to hold over their head. Now, with the semester being over, the students are working without that incentive. They appear equally interested and driven as during the semester. At this point, they are as invested in this project as the museum is and as I am. We are also meeting and discussing some of the other, more interactive, aspects of the exhibit. I am not going to tell you what they are yet, but rest assured if we can do what we want to do, they will be very cool!

The Search for Inspiration

by J.M Sandlin, Museum Intern

Last April I wrote my first blog post for the Western Science Center. In it I confessed the excitement and uncertainty I felt about building a hominin exhibit from scratch. The post’s title, “All In,” reflected not only my personal commitment to the project, but also the enthusiastic participation of my fellow student-interns. Now that preparations for the exhibition are well underway, I’d like to talk a little about the research and brain-storming that has enabled us to achieve this stage of development.

As I mentioned in my previous post, the exhibit’s basic trajectory had been selected prior to any student involvement. Our job, then, was twofold: first, to reconstruct the long and complicated evolutionary journey from tree-dwellers to builders of skyscrapers and space stations; and second, to come up with engaging and visually appealing ways in which to present that information to the general public.

To date, our modus operandi has been more or less as follows. Under the joint supervision of college and museum officials, each student-intern has taken on one or more hominin species as personal research projects. At regular intervals, we have present the fruits of our labor to the entire exhibition team, offering insights and suggestions to be discussed by the group writ large.

Of course not all scientific study takes place in labs, libraries, or in the virtual halls of the World Wide Web. A couple of months ago, for example, most of the exhibit team took a road trip to the Museum of Man in San Diego. It’s the perfect place to get an overview of hominin evolution as well as some ideas about display possibilities.

In crafting an exhibit, however, it’s not our objective to emulate the work of others. Rather, we’re actively striving to gather as much information as we can from the best and brightest sources, then share that knowledge in ways that make sense for local audiences. It’s a balancing act which every museum, large or small, must engage with to a certain extent. But though the road ahead remains fairly long, I’m increasingly confident we’ll be able to offer the public something that’s simultaneously worthwhile and complementary to other California museums.

Wish us luck!

 

Between a Rock & a Hard Place: Lithic Tools

by Rebecca Byrnes, Museum Intern

My section of the exhibit, as stated in my previous entry, will focus on Homo habilis as well as Homo erectus, and I’ve chosen to have one of the most prominent features in the exhibit to be about stone tool making.

I first learned about stone tool creation in my archaeology courses this semester. Though I’d heard brief descriptions of lithic (stone) tools, I’d never been introduced to how they’re manufactured. In archaeology class I watched a video featuring Bruce Bradley, one of the best specialists on lithic manufacturing. The tools needed for the job are simple- a hammer stone or antler, and a type of stone that breaks in a particular pattern.  I was amazed to hear of the very specific cone-shaped breakage found when hitting a piece of obsidian. This shape of breakage is termed as being “conchoidal.” Bradley was able to predict exactly what the flake would look like, which was a feat I thought impossible.

Often when we hear of hominins making stone tools, we believe that it’s a relatively easy process. We figure you bang on a bit of stone for a while and when it looks about right, you go off and slay some large animal. I must admit that I also believed this before studying anthropology, but this is definitely not the case.

In my archaeology lab class I had the unique opportunity to try to manufacture my own tool. I was given a brick and some sand along with a plethora of raw materials. I selected for myself some shell, bone, and rock as I had recently seen a picture of bone beads and stone projectile points and felt inspired.

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I sat down and considered my approach. I concluded that my first step would be to break the rock into a more manageable piece. So I hit it with a rock. The rock shattered, leaving me flabbergasted and having to now pick up the shards of its remains. I then began the shaping portion, something I assumed would be rather easy.

It wasn’t.

I tried sanding it and using a small hammer stone to break off smaller bits, to no avail.

“Well, I didn’t want a projectile point anyway,” I said in a defeated tone, placing the rock down and picking up bone. So I sat there for the remainder of class sanding a little piece of bone against a brick. By the end of two classes I had a piece of bone exactly the same size as before with a slightly smooth edge and a brick that had been substantially sanded down.

What I’m trying to describe here is that it’s simply marvelous to stop and consider the complex stone tools found at some of these sites. The hand axes found with H. erectus specimens are so amazing when you take into consideration the skills needed to complete such a difficult task. This is why I want to make lithics such a prominent piece of the exhibit. I hope that through the design of the exhibit the museum is able to illustrate how astonishing and impressive tool making really is in a way that sticks with the visitors.

If You 3-D Print It, They Will Come

by Bo Cheshire, Museum Intern

My father fit the bill of ‘mechanically inclined’; when I was 12 he designed a hydraulic lift to attach a motorcycle to the side of an 18-wheeler, and in the basement of our house he designed and built neon light systems. He enjoyed working on motorcycles and cars, and loved to think about and understand how systems worked. I grew up watching him tinker.

This curiosity has extended to me through the lens of the natural world, but I also love engineering and technology. One could just ask my wife about the state of unfinished projects in my garage to get the full view of my obsessions, so getting the opportunity to utilize 3-D printing in conjunction with this exhibit is a dream come true.

The idea sprang from Professor Ozolins during out first meeting as a group in February. When the problem of how we might best exhibit specimens that we couldn’t get casts for was broached, he mentioned that we might be able to print them; I volunteered for the project immediately.

Professor Ozolins put me in contact with Dr. Nick Reeves, Professor of Biology and program manager for the STEM program at Mount San Jacinto College. Dr. Reeves, who has been gracious and generous with his time, was just as excited as I was to be printing hominin skulls. We met last month and he introduced me to the 5th generation Makerbot.

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The 5th generation Makerbot 3-D printer.

I was pleasantly surprised at how easy and user friendly the system was. In most cases it was as simple as uploading a file, providing a little editing and manipulation, review, and print. My initial run was a small block in order to train me on the software and provide a proof of concept that the technology indeed printed exactly what we asked it to.

Next, we set our sights on the Homo naledi specimen, perhaps the newest and most exciting find in paleoanthropology in the last couple years. To place that statement into perspective, the principal investigator for H. naledi, Dr. Lee Berger, was just named as one of Time Magazine’s 100 most influential people for this year.

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The Makerbot software in action.

One of the great things Dr. Berger has done is provide all of his research and castings in an open source format. This allows wannabes like me to access the materials and print the models. So in order to assess the technology’s ability to deliver quality models, we selected a reconstruction of the H. naledi skull and shrunk it to 1/12th the original size. That initial printing went flawlessly, and encouraged, we decided it was time to scale up the model.

Our initial try at a full size H. naledi reconstruction was estimated to last 12 hours; both Professor Reeves and I were excited but cautiously optimistic. When I arrived the next day I found only the lower third of the specimen had printed. As with any technology there are bound to be hiccups. Undaunted, I checked all the potential error points and found that the full size model hadn’t completely loaded, leaving us with the bottom third. The printer had done exactly what it was supposed to.

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The first failed attempt.

After an update to the software, Professor Reeves loaded the printer for another run at the full size skull. Now estimated at 26 hours, it was set to run over a weekend. That Monday morning, I was full of anticipation, and after my first class I checked my email. Success!

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The finished 3-D printed skull.

Being able to utilize this technology is going to allow us to share an important new find in paleoanthropology with the community. It allows us to go beyond the photographs and drawings that we may have otherwise used and provide the people who visit something tangible, a piece of our collective heritage that you touch and examine for yourself. I’m excited for how we’re incorporating this work into the exhibit, and am looking forward to finding new innovative ways to utilize this technology.

A New Direction

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by Lisa Hathaway, Museum Intern

Hi everyone! I would like to introduce myself: my name is Lisa Hathaway and I’m a student at Mt San Jacinto College. I’m fortunate enough to be part of such a wonderful project conducting research on hominin fossils.

I have been a student at MSJC for the past two and a half years. When I started at the college I was working full time and raising my little girl Sabryn, who is now seven years old. I started with nursing as my major, but then I was introduced to Cultural Anthropology and Professor Pam Ford. After that, nursing went out the door! I liked it, but not the same way as anthropology. It makes me spark like a kid in a candy store – it’s exciting and fun and I really love it.

Did I say that I really love it?

It’s been such a wonderful journey and learning process. I enjoy meeting people and learning about different cultures. I’m originally from the Caribbean; Trinidad and Tobago to be exact. It’s a cosmopolitan population so I can appreciate everyone and the unique qualities that they have to offer. I have lived in several different places and states and enjoy learning. The San Jacinto Valley has been our home for almost four years and I have met many wonderful people here.

As a child I always loved going to the museums in New York. That was always one of my favorite past times. I have great memories going there with my mom, aunt, and my brother Nick. Never in my wildest dreams did I think I would have such a wonderful opportunity to be part of this project! I am learning so much and I am enjoying every moment. Last month we had the opportunity to see some of the casts that were ordered and they were so awesome. I hope everyone follows and enjoys this journey with us.

Creating Exhibit Panels: #TeamConglomerate or #TeamSeparateSpecies?

by Rebecca Byrnes, Museum Intern

I am absolutely loving the opportunity to have a role in creating a museum exhibit. At the same time, one of the most annoying things about creating an exhibit is wading through the countless facts about your specimen to choose a couple that will really appeal to the visitor. You will spend hours researching a hominin and realize that there are arguments everywhere. I don’t know why I assumed that all scientists came to conclusions about a specimen and stuck with them, but the fact is, they don’t.

Scathing articles are written and teams appear. Are you team conglomerate or team separate species? It’s both hilarious and terrifying how willing I’ve become to argue over the finer points of my group of hominin. While this is great for an anthropology major to know, it’s quite overwhelming for anyone who hears me ranting.

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For example, one task I was given by my professor was to write up a draft of what I felt should go on the panels next to the display cases, so I set about writing down everything I knew about Homo habilis and Homo erectus, complete with sources. I didn’t even consider what it must have sounded like to someone who has never even encountered the idea of hominin before. Not until my siblings came home, that is.

My siblings walked up to my computer desk and asked excitedly if I was doing “museum stuff.”

“Indeed I am!” I responded with glee, happy to have someone to share my research with. They paused, staring at my word document. I watched their faces, expecting to see surprise and wonderment. Instead, I was horrified to watch their eyes glaze over as I realized they skipped over two paragraphs.

My siblings turned to me with a confused look and said, “you used words I didn’t understand to talk about things I don’t understand.” The glass shattered. Of course these fourth graders don’t know what the zygomatic bone is and why it’s important that Homo habilis has a less convex one. Ok, well, I could reword that. I told them that I would change that part.

“Yes but it’s still a lot of reading,” one of my siblings said.

“I wouldn’t stand there and read this much in a museum,” said another. I swiveled my chair around, defeated, and began the painful task of deciding which of my precious paragraphs was going to get slashed.

Knowing all of this information is great, it truly is. I enjoy the ability to discuss early hominins and have interesting facts to tell. I guess the point of the story is that though I may find something to be fascinating, the visitor might not. When I’m at a museum I always love to read the panels to the side. Everything on it is interesting and explained in a way that makes sense, and I appreciate it. Without this internship I would have never even considered that there was more that they wanted to say but couldn’t. That’s why I think this blog is such a wonderful idea! On here I’ll be sharing interesting stories, tidbits, and articles that couldn’t make it into the museum though I so desperately wanted them to. I hope you enjoy reading further posts on here as I share more of my ramblings with you.

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Rebecca holding a Bones Clones cast.

All In

by J. M. Sandlin, Museum Intern

I’m not exactly your typical community college student. With a time-yellowed bachelor’s degree from UCLA and at least two distinct careers under my belt, I tend to think of (and often describe) myself as an old dog in search of new tricks. Sometimes I find what I’m looking for–worthwhile sources of amusement and edification–in the varied curriculum of Mt. San Jacinto College.

MSJC is a mid-sized school with a laid-back atmosphere and more than a few genuinely caring educators. In early January I received an email from longtime MSJC faculty member Pam Ford, informing me of an upcoming opportunity to assist in the development of an exhibit at the Western Science Center. I couldn’t have been more delighted with the idea! For me, as a devotee of all things old and obscure, good museums are among life’s enduring pleasures. And the Western Science Center is rightly called a beacon of light in the Inland Empire’s small community of museums.

With Pam’s email duly read and responded to, I soon found myself seated loftily (if somewhat uncomfortably) atop the exhibition bandwagon, headed, along with my fellow student-interns, to the promised land of cool stuff. The view from that vantage point, however, was not at all what I had expected. For in front of us, stretching as far as the mind’s eye could see, lay a nicely tilled but otherwise unsown intellectual landscape. Suddenly it dawned on me–we were starting this thing from scratch!

The overarching theme had been determined for us: it was to be an exhibit about the evolution of humankind. Just about everything else, though, was up for grabs. We needed a title. We needed artifacts to display. We needed access to the latest research. In short, we needed a plan!

At first, the unfamiliar, unpronounceable, polysyllabic science-speak made my head spin. I’m a businessman-cum-historian. What did I know about science? What, realistically, could I hope to contribute to a scientific exhibition? For answers, I turned to MSJC Professor Erik Ozolins, the college’s front man for this endeavor, and WSC director, Dr. Alton Dooley.

Professor Ozolins and Dr. Dooley, presiding jointly (and somewhat intimidatingly) over the preliminary exhibition meeting, looked down WSC’s elongated conference table and addressed us would-be student-interns with kindness and reassurance. You can do it, they admonished us; you can help bring this exhibit to life!

That was exactly what I needed to hear. Yes, we’d be starting from scratch. And yes, the road ahead was likely to be a bumpy one. But come what may, from that day forward, I was all in.

From the Navy to the Museum

by Bo Chesire, Museum Intern

After 8 years in the Navy the only things I wanted were not to shave, not get a hair cut, and go to college. But as far as what I wanted to go to college for, I really didn’t know. I had spent my time in the Navy as a Hospital Corpsman (the seafarer’s term for medic) and I was quite good at my job and definitely enjoyed helping people.

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Bo Chesire, Museum Intern, during his military service.

I had previously taken a lot of biology classes and even a little anatomy and physiology. However, in those classes, they seemed to skim over human evolution and I had some questions about how we became us. So while searching the college catalog before my separation from the Navy, I found a class titled “Physical Anthropology”. I reasoned that it would benefit me as an aspiring physician’s assistant to understand our evolutionary heritage. So I signed up.

Within the first week of classes I knew that anthropology was going to be my major. I love how inclusive the the discipline is, combining our evolutionary heritage, linguistic ability, culture, and tying it all together with the evidence from archaeology. As a study, it is all encompassing and has a little something for everyone.

That first semester I got to know Professor Ozolins and Professor Ford well. They were really helpful in guiding me and giving me valuable advice for the next stage in my education. When I received an email from Professor Ozolins over winter break about a potential internship with the Western Science Center, I knew I needed to be a part of it.

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Bo holding a “hobbit” skull.

For me this is an opportunity to give back to the school and program that has been a major part of a very important transition in my life. I know many people who have left military service and not thrived; I can attribute my own success to the fun and interesting people at MSJC. I also hope this exhibit will serve to educate a large portion of the population that might not know about the story of human evolution. Trust me; it’s a fascinating one, and you won’t want to miss it.